st. petersburg-based producer evgeniy sergeev is back with 4 tracks of soul-shredding breaks and driving atmospheric sounds on second release of his own label dissymmetrical music

limit and asymmetric are in fact both the work of st. petersburg-based producer evgeniy sergeev, who has been building up a library of contemporary d&b productions digitally and now makes the leap to vinyl with some of the strongest of his productions to date. stormy is aptly titled as it rips with ferocity through mangled breaks, rave stabs and hoovers aplenty and quarantine is a quintessential darkside jam with more of that tricksy drum programming. the b-side offers a little more respite with the sunkissed tones of transzendental and the soulful yet ruff mood of jazz is making a smart counterpoint to the heavier a side.

six sonic experiments from humberto polar and mike sandoval.

limited edition of 150 single-sided stamped & hand-numbered whitelabel vinyls in paper sleeve.

5 times pure power as known from inigo kennedy plus 3 locked grooves for your playing pleasures!

more dj-fodder for advanced techno-sets by mr kennedy!

inigo kennedy keeps pushing the boundaries of techno into spaces, no ear has heard before. constantly grooving atmospheres, fading between moods ... and again 3 cool loops to play with.

the difficult third release for inigo kennedy on his asymmetric label, and he masters it great!

its time for inigo kennedys release #5 on his own asymetric imprint and he shows us 5 ways to move, 5 ways to groove!

phat driven technotracks with sweet background melody (mix1) or brutal gamesounds (mix 4) or harder techno tracks --> also incl some loop for your dj player heart

excellent harder hittin tech trax

ein aufregender neuzugang in der spazio disponibile familie. für ihre 29. veröffentlichung begrüßen neel und donato dozzy ihren engen freund und hochangesehenen französischen elektronikmusiker david letellier als kangding ray. auf seiner polar ep stellt er einmal mehr sein exzellentes sounddesign unter beweis und liefert eine packung wunderschön funkelnden experimentellen techno.

remixes from arnaud le texier, dykkon, pfirter & regal.

for its ninth release, dusk notes invites 3 guest artists, each gifted and stylistically distinctive in their own right, to reinterpret tracks from imagery’s self-titled album. wide-ranging and divergent in genre, the compilation closes out with a remix from the label founders.

cover not mint - vinyl unaffected. after celebrating rebekahs label membership with several memorable appearances at clr events and her excellent edition of the imprints popular reconnected series, we can now present you her first clr release of original tracks.

second release from bait e borghi on their self-titled imprint.

include cristian marras, joefarr, ocd, and codex empire. tip!

number 4!

mark farina - good stuff!! junktion - bad girl s the one for me, great groove! nightmares on wax - loving the sunshine vibes on this , will support ! looking forward to playing it out :-) sleazy mcqueen - amazing and perfectly distilled for summer vibes! lars b - killer grooves! thank you .. inland knights- all tracks cool........bad girl a fave trujilo - freshh grooves!! disco tech - great release! kolour ltd - if you re truly a fan of closed paradise - first off there s no way can simply select a favorite as they re all favorites. mat s music just ticks all the right boxes for me .. every single time. whether it s a deep burner or an uptempo joint .. you can never go wrong.

awesome project by violet poison and girogio gigli.... together as black tears.

state is the debut from ore, this is techno deftly delivered. four original tracks showcasing an artist ready to make their mark plus remixes from darling farah and jon convex. a debut that stands out - state showcases an artist ready to make their mark. prime-time berghain techno functions are triangulated with detroit in 1987, birmingham in 1997 and london right now. the result is sumptuously textured asymmetric dance music. richly harmonic, expressionist techno that takes in pneumatic hi-tech funk, warehouse-maddening propulsive hydraulic and rarefied low frequency dub chords. complete with laboratory-precise edits, cold, crystalline sampling and skeletal machine effects ore recalls richie hawtins plastikman all the while keeping a rooted afro-rhythmic swing reminiscent of theo parrish with shuffling hi-hats, deep bass and strokes of barely-tamed percussion.

early support from: marcel dettmann, cio d or, and (horizontal ground), paris one, arnaud le texier, tom bonaty (prologue), audio injection, jeff derringer, forward strategy group, dino sabatini, 88uw, eric cloutier, patrick schutz (groove magazine), inigo kennedy / asymmetric, bleed (debug), anton banks, cedrik, obtane.

the name dachshund is one immediately associated with experimantation, an innate feeling for ryhthm and good dose of tongue and cheek. the swiss dj, producer and label founder can scarcely hide his musical roots in reggae. the sunshine feeling from those days still shines through in his current productions and gives them a touch of dub. his latest ep for highgrade records is no different. this leads to the first track >extensive talk< with its reduced beginning sounding something like a false start. gloomy voices implore us to >come, sit down, forever<.this delusion establishes itself in a musical theatre, while simultaneously becomming more pressing as the track winds its way into the legs – moving inexorably towards the second groovy track, >asymmentric love<, with its sprinkle of varied and original sound ideas. the final offering, >octogone< goes even further and weaves original loops and straight edged percussion into a compelling carpet of sound.

>univrs< follows on from and develops the concept of the album unitxt (raster-noton, 2008). whereas the focus of unitxt was on the processing of rhythmic patterns (unit = unit of measurement, element) and information (txt = data, language), with univrs the focus is on the conceptual differentiation of a universal language (universum/universal = unity, entirety). the 14 tracks of univrs have evolved from a live context, hence the approach is more continuous and dense.

including boris ochs, george perry & peter latino remixes.
supported by: dj misk (altroverso), nic fanciulli (saved records), dj linus (exun - gigolo), paco osuna (mindshake/plus 8 // club 4), kiko martinez (docepulgadas radioshow), claude vonstroke (dirtybird // mothership), richie hawtin (minus), the glitz (voltage musique), nicole winter, bait & switch (sophisticated retreats), andy cato (groove armada), homebase (beatwax), satoshi fumi (klik, plastic city), alexander aurel, mark jackus (cuscus), hell i am, rob slac (chillin music, om records), alexander bien (electrosound.tv), joy kitikonti (start records), tagträumer, (blackfoxmusic), lonya koval (asymmetric recordings), oliver roos (diametral records), pizeta (autan records), mag - tsugi (tsugi magazine) and many more...

following on from the success of volume 3 of the duffnote, one 51 & guess eps, richard earnshaws constantly impressive label offers a peek into a handful of 2010s closely guarded secrets in the form of ep4. again showcasing each labels unique sound, from the sumptuous soulful vocals of havana, to the melodic & stabby hooks in diamonde.

with a prime palindrome inigo kennedy, as always, provides an array of distinctive and original tracks that continue to stand out from the crowd.avoiding titles the music does the talking. bounded by an intro and outro here are four tracks that push the envelope further than most.kicking off with a brutal and driving digital assault a1 has been tearing up sound systems in many ways reminiscent of the seminal asy001.a2 builds on the intricate and mature edge of the asymmetric sound. a strong and evolving melody draws you in over a slow moving atmosphere. underpinned by a classic kennedy rhythm and characteristic of the unique way he layers sounds together.driven by a warmly distorted rolling rhythm b1 turns up the heat once again whilst over the top floats a trademark futuristic atmosphere.b2 dives straight back into the world of digital manipulation. an elastic loop is treated. its pitch slowly grows. the effect is almost imperceptible. the result is hypnotic.

neues album des britischen techno-produzenten inigo kennedy auf dem belgischen label token. kennedy veršffentlicht seit mitte der 1990er auch als reducer und tomito satori auf label wie missile, semantica oder seinem eigenen asymmetric. die neuen tracks auf strata beweisen einmal mehr seine leidenschaft, tiefe und handwerkliches vermšgen.